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This colored pressing from Craft Recordings marks the very first vinyl release of blues titan Charles Brown's 1994 Christmas album! Nominated for Best Traditional Blues Album at the 1995 Grammy Awards, Charles Brown's Cool Christmas Blue offers a warm, laid-back set of primarily original material – including Brown's modern yuletide classics "Please Come Home for Christmas" and the U.S. Billboard R&B chart Top 10 hit "Merry Christmas Baby." The artist also performs lesser-known gems like "Santa's Blues" and "To Someone That I Love," while he puts his own stellar twist on "Silent Night." Recorded in San Francisco, the session features Brown on vocals, piano and celeste, with Clifford Solomon on tenor saxophone, Dannon Caron on guitar, Ruth Davies on acoustic bass and Gaylord Birch on drums. BB King's longtime sideman Bobby Forte also makes a special appearance on tenor saxophone, while the "Godfather of Rhythm and Blues" Johnny Otis jumps in on the vibes.

Brown also revisits two of his most famous songs, including "Merry Christmas Baby." While the tune is credited to Lou Baxter and Brown's bandmate, Johnny Moore, it has long been noted that Brown was instrumental in co-writing the classic track. Although the true story behind the composition has never been confirmed, it was Brown, unmistakably, who made the song a hit when he recorded it alongside Moore with the Three Blazers in 1947. Released in November, "Merry Christmas Baby" added a wink and a romantic twist to the standard holiday fare – and America loved it. That season, the song went to No. 3 on the Billboard R&B Juke Box chart, while it would become a holiday cannon over the decades. It has since been covered by many of music's greats, including Elvis Presley, Bonnie Raitt, John Legend and, perhaps most famously, Otis Redding.

Brown's body of work and artistic impact was celebrated throughout his final decade. The artist, who influenced many of the biggest names in R&B and blues – including Ray Charles, Fats Domino, Sam Cooke and Chuck Berry – was inducted into the Blues Hall of Fame in 1996 and, just months after his passing, into the Rock and Roll Hall of Fame in 1999. Perhaps his crowning achievement, however, was becoming a recipient of the National Heritage Fellowship in 1997. Presented by the National Endowment for the Arts, the fellowship marks the highest honor that can be bestowed upon traditional and folk artists in the U.S.

Lacquers were cut by George Horn and Anne-Marie Suenram at Fantasy Studios, while the vinyl was pressed at Noiseland Industries.