The Pixies Trompe le Monde on Numbered-Edition Hybrid SACD from Mobile Fidelity
Pixies' 1991 Album Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, and Eminent Tunefulness
Mastered from the Original Master Tapes: Restoration Turns Effort Into a Sonic Blockbuster
Frank Black-Led Set Includes Contagious Cover of The Jesus and Mary Chain's "Head On"
The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde
in September 1991. A sea change in popular music tastes that the band
helped initiate began to sweep the world. And the Boston quartet seemed
prepared to lead the way, with this, its eminently tuneful fourth
record, jam-packed with crafty hooks, prickly tones, catchy elements,
outer-space atmospherics, electrically charged energy, and delightfully
As it stands, Trompe le Monde takes its place as one of the finest pre-reunion swan songs ever recorded. If the Pixies
wouldn't have broken up right after its release, there's no telling
what would've happened. All that you need to know is that the 15-track
effort is as hard rocking and brilliantly innovative as any of the
group's creations. That's no small feat.
Mastered from the original analog tapes, Mobile Fidelity's numbered-edition hybrid SACD presents the ensemble's abrasively melodic
landmark in a fidelity it's never enjoyed in any prior digital version.
Featuring lusher keyboards and moodier soundscapes than its
predecessors, but also reclaiming the nasty guitar edginess and swooning
distortion of the group's earliest efforts, Trompe de la Monde finally
comes across as the Pixies intended: A sonic bridge between
college-rock's influential cruder-textured albums and the polished
professionalism that distinguished alt-rock classics.
In other words, Mobile Fidelity's SACD presents replete with grit, rawness, and character, but mixed in with
radio-friendly smoothness and virtuosic professionalism. Awash with
incredible timbres and tonalities, myriad new details rise to the
surface. Listen to the counterpoint melodies and layered vocals on
"Letter to Memphis"; the trash-compactor feedback and thumping bass
during the whipsawing "Planet of Sound"; the "Spyhunter"-like pace and
limitless depth now present on "Subbacultcha." Dynamics, contrasts,
low-end frequencies, and imaging are all significantly enhanced.
Compared to the original CD, Trompe le Monde now emerges as a new album—a sonic wonderland that's not far removed from that of Nirvana's celebrated blockbuster Nevermind.
Musically, the Pixies were never better. On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes
with hyper riffs, jerks to stop-start progressions, elates with
cheerful emotions, and bangs on to giddy surf-fused arrangements. With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black
takes the reigns and doesn't disappoint. Tales about sea monkeys
("Palace of the Brine"), aliens ("Planet of Sound"), and love ("The Sad
Punk") bop alongside memorable jabs at hipster pretensions
("Subbacultcha") and inflated egos ("U-Mass"). A contagious cover of the
Jesus and Mary Chain's "Head On" will have you hitting "repeat."
Power pop, wanderlust punk, theatrical glam rock, reconfigured
reverb-laden country—all here, all encouraging repeat listens.
Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue. If you missed it the first time, don't make that mistake again. Essential with a capital "E," and the perfect way to close Mobile Fidelity's Pixies catalog restoration series.
The Pixies Trompe le Monde Track Listing:
- Trompe le Monde
- Planet of Sound
- Alec Eiffel
- The Sad Punk
- Head On
- Palace of the Brine
- Letter to Memphis
- Bird Dream of the Olympus Mons
- Space (I Believe In)
- Distance Equals Rate Times Time
- Lovely Day
- Motorway to Roswell
- The Navajo Know