"This  album is different in many ways than what I've done in the past. There's no general band "sound" here. The instrumentation is arranged in each song to fit the subject. Each song is its own world, a place for the people in the songs to live. I intentionally eschewed long instrumental passages, crescendos, that sort of thing – I've done enough of that, and I'm tired of it. The songs say what they have to say, then end. Many are entirely acoustic. When electric instruments are used, they're used sparsely.
"I set a limitation before recording: there would be no drums (one song contains about 10 seconds of drums, but otherwise, nothing) – double bass or bass guitar is used instead as the rhythmic base. This had the effect of opening up a lot of space, as well necessarily forcing the songs into focus. This is as close as I'll ever get to making "pop" songs, though I of course realize my definition is probably a little different than yours!
"Just before making this record I'd co-produced the debut album of Akron/Family, and I liked their sensibility so much that I asked them to contribute to my own Angels of Light album. It changed everything. We collaborated fully on the orchestrations and the result was a revelation to me – a complete turnaround in many ways. I guess it'd be fair to say that their youthful enthusiasm and continually erupting stream of ideas infected me with a long absent sense of elation. They all play about 20 instruments with varying degrees of skill, and their approach was often the exact opposite of what I would have initially thought.
"...But the best thing for me was the surprise of hearing the songs in a new light...I had a great time making this record. It's the most relaxed I've been in the studio in years, and I think it shows in the vocal performances." - Michael Gira (2005)