Memphis soul original and Hi Records hit man Don Bryant returns to music with the Fat Possum Records release Don't Give Up On Love. Recorded in honor of his wife of 43 years, the soul legend Ann Peebles, the collection is Bryant's first release in decades. On Don't Give Up On Love, Don is joined by multiple generations of Memphis studio legends, including Hi Rhythm Section members Charles Hodges (organ), Archie "Hubbie" Turner (keyboard) and Howard Grimes (drums), Joe Restivo (guitar), and Scott Bomar (bass). Marc Franklin and Art Edmaiston, both of the Gregg Allman Band, contributed horns. The album was produced by Scott Bomar and Bruce Watson and tracked by Adam Hill at Bomar's Electraphonic Recording studio in Memphis.
From the opening vamps of the classic "A Nickel And A Nail," it's evident that Don Bryant, at 74 years old, is in prime fighting shape and as versatile a performer as ever – sensual and expressive on "It Was Jealousy," swaggering and suave on "One Ain't Enough," and swept up by the grandeur of the Almighty on "How Do I Get There?" These ten songs – including seven Bryant-penned originals – show a soul survivor in action, exhibiting the kind of sharp vocal acumen that can only be honed by years spent on the road and in the studio.
With an intrepid musical style informed by his church upbringing, Don Bryant first found success with his vocal group the Four Kings. After that group split, he was taken under the wing of Hi Records legend Willie Mitchell. Don started off singing lead for Willie's live band, but soon found himself releasing a full length album on Hi and writing songs for the likes of Solomon Burke, Albert King, Etta James and many more.
But Bryant's biggest hits came when, in 1970, he was linked up with Hi Records artist Ann Peebles. The two penned the classic "I Can't Stand the Rain" and many others before marrying in 1974. They toured together regularly for decades and are married to this day. Following a stroke in 2012, Peebles retired from performing and Don found himself at home for the first extended period in many years, affording him the time to return to the studio and commence the sessions that would become Don't Give Up On Love.