A veritable giant in the history of jazz and the early years of popular music, Duke Ellington is rightly revered for his abilities as a composer and bandleader, but the fact that he was also a dexterous and talented pianist with a unique style is often overlooked. Among the myriad albums released under his name during his long career, only a handful focused on his abilities as a pianist. One of the best was The Duke Plays Ellington. The album was recorded in April 1953, when the Washington, DC-born jazz aristocrat, then a few weeks shy of his 54th birthday, went into Hollywood's Capitol studios with just a bassist (Wendell Marshall) and a drummer (Butch Ballard) to lay down eight tracks.
It was an intimate, low key session that began with one of Ellington's signature tunes, "In A Sentimental Mood," which began life as a big-band instrumental in 1935 before becoming a vocal track after acquiring lyrics written by Manny Kurtz. Here, Ellington's elegant, crystalline piano floats above a gently swinging backbeat propelled by Ballard's softly swirling brushes. Another Ellington classic to receive a minimalist piano trio makeover back in April '53 was the urbane "Prelude To A Kiss," a graceful piece first written in 1938 that was influenced by classical music. Also familiar to Ellington fans was "Things Ain't What They Used To Be" – revived as a midtempo blues on The Duke Plays Ellington – which was written by the pianist's son, Mercer, in 1942. Elsewhere on the album, though, Ellington served up brand new material specially conceived for the album.
The influence of the blues on Ellington's music is in evidence on the playful "B Sharp Blues," where the pianist/composer uses dissonance to add a piquant quality to the melody. In acute contrast, the lovely "Reflections In D" is a floating ballad where dense patterns of lush chords create a dreamy soundscape. A more exotic mood is conjured by "Passion Flower," a song that Ellington composed with one of his key collaborators, Billy Strayhorn. As well as being able to create evocative tone poems, Ellington knew how to swing, as the propulsive "Who Knows" ably demonstrates with its bright, percussive piano lines. "Janet," also hurtles along at a rapid pace, though quickly changes gear and morphs into a meditative ballad with a gentle rhythmic undertow supplied by soft, pulsing brushes, before resuming the skittish character of its original tempo.
The Duke Plays Ellington was first released as a 10" LP on Capitol Records in 1954, but later, in 1958, when the more popular 12" vinyl had become the norm in the music industry, the album was expanded to accommodate four additional tracks which had been recorded on 14 April 1953. They were two haunting ballads, "Melancholia" and "Retrospective" – the latter was more ornate and dramatic in terms of its piano content – plus "All Too Soon," a revamp of a 40s Ellington tune, and the jaunty "Dancers In Love," defined by a descending chromatic line underpinned by a sprightly, stride piano rhythm. Now available as a single LP on standard weight vinyl in celebration of Capitol Records' 75th anniversary.