"I wanted to break all structure, to see if all form can be destroyed," says K-X-P frontman, Timo Kaukolampi, of his debut solo album. A desire to deconstruct convention is not a new thing for Kaukolampi, given that the Finnish band have been blurring the lines between techno, krautrock, space rock and experimental electronica for the last decade and forging an idiosyncratic and unique sound truly of their own. Whilst K-X-P still remains a strong and evolving force, Kaukolampi has created an outlet for something new in his solo endeavors. "I wanted to make music that has more space in it than I usually do. That captures this lonely sense of emptiness, of euphoria and beauty – a deep sadness," he notes. "It's a conversation between good and evil, beauty and brutality, and it's most definitely my inner journey."
The resulting album is one long track broken up into five titles. Across that runs an eerie dystopian presence driven by pulsating synths and distant beats, whilst stylistically traversing across cosmic disco, techno and dense cinematic ambience. Whilst this record may struggle to land neatly into a pre-existing genre, it does pay tribute to one of electronic music's pioneers. "Epiphyte (Requiem for Mika)" is a segment of the record that pays tribute to the late, and truly great, Mika Vainio. Musically it gently hums, evoking a mournful and emotive tone in its vast richness and depth. It is named after a strange plant he found in a friend's garden in Portugal but Kaukolampi felt its tone felt familiar. "I realised that it had that Mika Vainio-type song title vibe so I dedicated it to him. He was an amazing talent and good friend. I miss him a lot. We all do."