Life After Youth is the first Land of Talk album since 2010's Cloak and Cipher. After taking a few months off after Cloak and Cipher's touring cycle, frontwoman Elizabeth Powell got back to work on a followup. Instead, a series of mishaps - post-tour fatigue, a crashed hard drive with new demos, and her father's stroke in 2013 - turned "a few months" into "a few years." While caring for her father, Elizabeth fell under the spell of classical, ambient, and Japanese tonkori music, whose meditative quality aided his recovery. Immersing herself in those sounds would change her entire approach to music making; she started writing songs without her trusty guitar, instead building tracks up from synth beds and programmed loops.
Life After Youth's centerpiece track, "Inner Lover," presents the most radical results of those experiments. It's an audio Rorschach test of a song: key in on the incessant synth pulse underpinning Elizabeth's pleading vocal ("take care of me!") and the track assumes an ominous intensity. But when you surrender to the relaxed drum counter-rhythm and subliminal harmonies, "Inner Lover" projects a graceful serenity. Even the songs built atop more traditional rock foundations exist in that liminal space between dreaming and waking life, confidence and doubt, raw feelings and soothing sounds.
"Yes You Were" opens the record with a cold-start surge that's overwhelming in its immediacy, with Elizabeth's furiously strummed guitar jangle and wistful lyricism bearing all the adrenalized excitement and nervous energy of seeing old friends (or, in her case, fans) for the first time in ages. And as its title suggests, "Heartcore" is a collision of soft-focus sonics and emotional intensity, with Elizabeth's crystalline vocals hovering above a taut, relentless backbeat and disorienting synth squiggles. Even the turn-a-new-leaf optimism of "This Time" is presented less as a triumphant comeback statement than a warm reassuring embrace – its beautifully dazed ‘n' confused psych-pop swirl acts as a calming force as you hurtle toward life's great unknown.
Fitting for a song about reconnecting with the world, "This Time" was the product of another fortuitous reunion – between Elizabeth and her old friend Sharon Van Etten, who lent her songwriting smarts and heavenly harmonies to that track, as well as "Heartcore" and the Fleetwood Mac-worthy "Loving." And Van Etten is just one member of a veritable indie-rock dream team Elizabeth recruited to complete the album: the moonlit ballad "In Florida" was recorded by producer John Agnello (Dinosaur Jr., Kurt Vile) in his New Jersey studio, with Elizabeth backed by former Sonic Youth drummer Steve Shelley and Roxy Music/Sparks bassist Sal Maida.