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The Violent Sleep of Reason, the band's eighth full-length studio album, finds Meshuggah building upon their legacy for fearless metal sculpting within the context of extreme metal, but also recapturing some of the magic and excitement specifically within the aspect of performance, finding flow and groove that would be a challenge for any lesser band to locate, given such technical geometric madness at mischievous hand. At the lyrical end, highlights include the title track, which, set to a massively heavy arch-djent rhythm, speaks of "the violent outcome of not dealing with what is going on, the violent implications of being asleep." A second highlight is strident opener and longest song on the album, "Clockworks," which is strafed by a typically super-human drum performance from Tomas Haake. Listen to tracks like the vertigo-inducing "Nostrum" and the slower if equally circular and note-dense "By the Ton," and it's easy to understand why it's been four years since a Meshuggah album.