Two years after the release of his highly acclaimed LP Carry The Ghost, Seattle native Noah Gundersen unleashes his bold third studio LP White Noise. "White Noise is a sensory overload," Gundersen explains. "Fear, anxiety, desire, sex, lust, love. White Noise is the place between waking and dreaming, where the edges blur and the light is strange. It's a car crash, it's a drowning, it's everything all the time."
The conception of White Noise started long before Gundersen stepped into his homemade studio, nestled inside a 1600 sq. ft. loft on the marina in Ballard, Washington. "At the beginning of 2016, I walked on stage and was met with a feeling of overwhelming emptiness" explains Gundersen. "I imagined a career playing music I didn't believe in and was terrified."
After his set, a fellow songwriter expressed a quote to Gundersen from famed choreographer, Martha Graham: "No artist is ever pleased... There is only a queer, divine dissatisfaction; a blessed unrest that keeps us marching and makes us more alive than the others." From there, something awoke in Gundersen that can now be best described as the 13 tracks that embody White Noise.
For fans of Noah Gundersen during the era of albums like Ledges (2014) and Carry The Ghost (2015), White Noise finds Gundersen in a variety of headspaces, with anthemic rock choruses in "The Sound" to piano ballads in "New Religion," but still holding true to his in-depth and hyperaware style of songwriting that first established Gundersen as having the "soul of a wise, grizzly rocker" (Rolling Stone).