"This is the culmination of my whole life in music, coming back to my gospel roots," says Paul Thorn about his newest album, Don't Let the Devil Ride. "My message on this record is 'let's get together' - I want to help lighten your load and make you smile." The son of a preacher man, Mississippi-raised Thorn spent much of his childhood in church, participating in multiple weekly services with his father as well as at neighboring African American congregations, where he became entranced with the music whose infectious spirit is captured on the new album.
Don't Let the Devil Ride collects soulful songs originally cut by black southern gospel groups and features guests the Blind Boys of Alabama, The McCrary Sisters, the Preservation Hall Jazz Horns, and Bonnie Bishop. The album was recorded at three temples of sound: the Sam C. Phillips Recording studio, whose namesake gave another son of Tupelo his start; at FAME Studios in Muscle Shoals, where Thorn worked as a songwriter for legendary producer Rick Hall early in his career; and at Preservation Hall, where horn players from the celebrated jazz venue lent songs a New Orleans vibe. The new release marks Thorn's first time recording gospel music after a dozen albums in roots-rock mode.
The most familiar track here is no doubt Thorn's relaxed tempo version of the O'Jays "Love Train," a song whose feel-good qualities readily adapt to a gospel setting. The other songs stretch back much farther, but their themes - of redemption, taking stock of one's life, and resilience in the face of troubles - are universal, making them readily adaptable to the fresh takes here. Nashville's McCrary Sisters, for instance, lend a buoyant feel to "You Got to Move," a northeast Mississippi standard, best known through a solemn slide guitar take by Mississippi Fred McDowell.