History is replete with quests for the meaning of life, and with Nightstand, Jess Abbott aka Tancred sought to tell her story in a way that would both connect with the past and resonate in the future. "I wanted the album to have a timeless feel to it, so you could hear my stories of love and loneliness and sense that these are themes that have existed for everyone forever," she says. As with her previous work, the writing process consisted of Abbott alone in her room with just a guitar, strumming chords and singing words until gradually songs began to coalesce - though this time around she made it a point to devote three days a week for an entire year to only playing music.
As a result, when the recording process began with Lewis Pesacov (Best Coast, Generationals) at his home studio in LA, the focus was less on finishing songs and more on perfecting them. Working with Pesacov offered new approaches – and gear – previously undiscovered by Abbott, affording her avenues of exploration that dialed in the production and tone on each and every song. The positive effects of this nourishing environment are evident throughout Nightstand, as on propulsive first single "Reviews," showcasing Abbott's strong melodic sensibilities balanced with purposeful, well-placed instrumentation. Or "Queen of New York," which captures the feelings of fleeting lust set against a metropolitan backdrop, all within an effervescent three-minute bop.
Of course, it wouldn't truly be a Tancred album if the upbeat melodies didn't also serve to sugarcoat Abbott's often somber lyrics about the experience of being a woman and being queer in today's society. But even she is quick to emphasize that there is still comfort to be found during times of isolation or alienation: "Ultimately, we are all feeling these things together, and that can be enough to feel less alone. There's a hopefulness in the loneliness."