At the end of the '70s, The Monochrome Set were part of the first wave of "post punk" bands. Right from the beginning, the band earned a solid reputation as purveyors of fine pop, gaining praise from '80s contemporaries such as Morrissey and Edwyn Collins. Importantly, in later years this praise has continued with artists such as Franz Ferdinand, The Divine Comedy, and Graham Coxon, all citing the band as a key influence on their own work. The Monochrome Set sound has often been described as "timeless" and that alone explains why, over the years, the band has continued gaining admirers.
Maisieworld is distilled from the pungent flowers of artistic mischief and represents the acme of sonic consummation. It features a succession of songs that highlight the volatile, capricious and ultimately unstable nature of The Monochrome Set. New doors lead into hitherto unexplored corridors, where saxophones, trombones, and trumpets claw at you from the Harlem-brownstone walls which pulsate with the ceaseless beating of animal skins. Echoes from a bygone era of expertise race around you as you careen down these sewers of sound, lead guitar solos leap with rusty scimitars, strange organs slither over you on the damp roof, a growling bass snaps at your ankles, a misshapen banjo scuttles across your path, and, all the while, barbarians shake the seed-filled skulls of the dead.
Playful vocals sing of your frail organic nature, the sad dreams and hopes that you entertain, and the dismal decisions you make. Scenes of a different imagination tear you like brittle canvas and rearrange your portrait into another's fantasy. Upon your exit from Maisieworld, you will be pleasantly surprised to find that your vessel is now filled with abnormal thoughts. LP version includes CD.