For a band to not only last 30 years together but keep scaling more imposing heights, it's going to need a sense of purpose. In the case of The Woggles, the seasoned garage rockers are greeting the milestone with a renewed rallying cry to move ever forward, a three-syllable statement of intent which also serves as the title of their new album on Wicked Cool Records, Tally Ho! "Tally-ho" is the traditional call of the British hunter upon seeing a fox. This distinctive exclamation serves as a mission statement, then, for a band eager to go forth and conquer. "The band is not as much an institution as a way of life," says frontman "The Professor" Mighty Manfred. "The main thing is to keep swimming, since the shark that fails to swim dies."
Suited up and riding shotgun on the hunt alongside Manfred are guitarist Flesh Hammer – who first cut his teeth with '80s buzz band Guadalcanal Diary – and the sock-it-to-them rhythm section of bassist Buzz Hagstrom and drummer Dan Eletxro, both also sometime members of savage English rockers Graham Day & The Gaolers. "One of our strengths is that all the members contribute songs and song ideas," notes Manfred. "On Tally Ho!, Dan and Buzz both have songs that Little Steven picked as singles from the album, ‘What You Think We Are' and ‘Waiting For The Rain,' respectively." "Alan Freed once said that ‘Rock and roll is a river of music that has absorbed many streams,'" quotes Manfred. "The Woggles drink from its many tributaries, from early rock and roll and R&B to '60s garage rock, British Invasion, '60s soul and forward."
Recording of this particular rock and roll fox hunt, their fourth full-length effort for Wicked Cool, was overseen at Athens, Georgia's Chase Park Transduction studio by Jim Diamond, ex-bassist for The Dirtbombs and producer of the first White Stripes and Von Bondies albums as well as veteran of projects with Electric Six, The Mooney Suzuki, The Sonics and The Fleshtones among others. It had been some time since The Woggles brought in a producer from outside the band, but the results paid off. "In the studio, he lived up to his reputation for begin able to get the greatest guitar tones ever, especially fuzz tones," says Manfred. Those fuzz tones and more are featured on 13 electrifying new songs that rival the band's best.