Astronauts Etc. Mind Out Wander on LP + Download
In another universe, the path of Astronauts, Etc.’s Anthony Ferraro would have led him to become a classical musician - the culmination of nearly two decades of focused training. But as adventures go, each brings its own trials and it is the explorer's duty to adapt. It was while studying music at the University of California, Berkeley, that Anthony's arthritis, diagnosed in childhood, began to affect his hands.
No longer able to play etudes or concertos with the vigor they demanded, he dropped out of school and began to search for a new focus. Soon, Ferraro began recording bedroom nocturnes under the moniker Astronauts, Etc., a name he selected in reference to his reputation among friends as a space cadet with a tendency to let his mind wander wildly. But the handle also appeals appropriately to Ferraro's sense of artistic adventure, finding excitement in the most far flung regions of his creative id.
Since breaking out in 2012 with "Mystery Colors" and "Coldboy," followed by last year's acclaimed Sadie EP, Astronauts, Etc.'s new album Mind Out Wandering comes across as both a culmination of Ferraro's quest and the beginning of something new. The desire to explore other creative processes and solidification of his live band enabled this collection of songs to be recorded mostly live to tape through fully analog technology at Tiny Telephone in San Francisco. Blending thawed-out '70s tones with sentiments of soul and echoes of modern indie guitar rock, Ferraro's piano and Rhodes provide nearly as much a presence on each track as his own falsetto.
Ferraro describes this substantial and soulful set of earthy surrealist pop as chronicling a year's journey of falling in love while trying to keep his mind in one piece. Lyrically he aimed to render his experience through an abstract lens, refracting the personal into shapes and shadows less recognizable. He points to a piano flurry in "Place With You" as a moment of losing his ego in psychedelic escape, while cutting the tape to abruptly end the exposed ballad "Control" articulates his propensity for self-sabotage. An oblique reference to The Graduate is found on album-closer "Upward Swing" where he asks after all this good that's come, "What if she caught me on an upward swing?"