Dana Falconberry And Medicine Bow From The Forest Came The Fire on Colored LP + Download
First Pressing on Colored Vinyl
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On their new album, From the Forest Came the Fire, Dana Falconberry & Medicine Bow invite the listener to look upon the world through new eyes, to ponder the intuition that drives a cormorant to dive deeper and deeper. From the Forest Came the Fire guides us past the forest's edge, beneath the surface of the water, and up the base of the mountain, leaving listeners awestruck at the meeting of natural landscapes and the supernatural forces that lay within them.
Intricately layered and multi-textured, Falconberry's avant-folk songs are the aural equivalent of the disparate and wondrous landscapes of the United States. Trace the back roads branching out from Dearborn, Michigan and the Leelanau Peninsula across the country to Austin, Texas to understand Falconberry's personal and musical history. An adept lyricist, Falconberry has always captured the stunning imagery of her surrounding physical geography, evident on her last album, Leelanau, which depicted memories from her young life in Michigan.
Where before Falconberry evoked the beauty of the natural world, she seeks now to understand its mystery, delving into the anthropological magic of places, nostalgically channeling the voices of past lives. Inspired by her late grandmother Isabelle, the album unfolds like a surreal dream quest. Falconberry chases ghosts through a thicket of trees, over rocky ridges, across the vast expanse of a thirsty desert, mapping out an intangible terrain like a spiritual cartographer. Written in a series of solitary retreats into remote areas of the Ozarks, Lincoln National Forest, the Buffalo River, and White Sands, New Mexico, these songs chronicle an introspective, metaphysical journey set to a backdrop of the American continent.
Anchored in solid rhythms and buoyed by ethereal instrumentation, the songs are excellently produced; musical motifs flower brilliantly before receding into shadowy strings and arrangements feel simultaneously lush and spacious. Much of the album was produced and engineered by Spoon's Jim Eno at his Public Hi-Fi studio in Austin, TX, and the remainder was recorded by Christopher Cox and Grant Johnson of Fat Fuse Music. Both producers possess a clear grasp Falconberry's sonic palette and help capture the songwriter's most arresting work to date.
Drawing from her early experiences with classical music through her work as a ballet dancer, Falconberry couples traditional notions with influences from Austin's diverse independent music community to create intricate, modern folk songs with an experimental edge. Backed by Christopher Cox (bass), Gina Dvorak (banjo, guitar), Karla Manzur (keys), Matthew Shepherd (percussion), and Lindsey Verrill (cello), Falconberry continues to work with the same cast of musicians she assembled prior to Leelanau. After four years of collaboration, the band has developed a close friendship that transfers to all aspects of their sound. The band's increasingly integral role in the project prompted Falconberry to adopt the moniker Dana Falconberry & Medicine Bow for the first time.