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Hieroglyphic Being The Acid Documents

(Import Colored Vinyl 2LP)

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Item: LIH03221

Hieroglyphic Being The Acid Documents on Limited Edition Colored Import 2LP

Soul Jazz Records Presents!

Soul Jazz Records launches their new electronic music imprint Sounds Of The Universe division with the first of two new albums by Hieroglyphic Being. His debut for the new label - The Acid Documents - is an album made up of tracks first released in 2014 and only ever available in a bespoke edition of 100 copies in the form of a homemade CD-R made exclusively for the Sounds Of The Universe record store.

This album is now released officially as a one-off edition of 1000 copies on colored double vinyl fully remastered with artwork by Japanese artist 2Yang. Hieroglyphic Being aka Jamal Moss is a DJ/composer/sound artist who makes pioneering, experimental, boundary-pushing Afro-futurist electronic music. Born and based in Chicago, Moss's music embodies two of the cultural foundation blocks of the city's musical lineage: that of Chicago's original acid house sound - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61.

This association with Sun Ra is by no means hypothetical, having just been in the studio with the Arkestra leader Marshall Allen and a host of free jazz players for Hieroglyphic Being & JITU Ahn-Sahm-Buhl's We Are Not The First album. Similarly his relationship to Chicago's original acid house pioneers of the late-80s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Poindexter, Moss also now runs his own Mathematics label which has released music by foundation acid house pioneers Lil' Louis, Adonis and many others. To quote Moss, "I am the last of the line of producers directly influenced by [pioneering acid house DJ] Ron Hardy at the Music Box."

Moss grew up in the south side of Chicago. After being thrown out of the home of his adoptive parents, he then spent three years on the streets of Chicago, living a nocturnal existence as a gigolo in Chicago's alternative clubs. He began his career as a DJ at the pioneering Liquid Love parties at Chi-town's legendary Power House (home of Ron Hardy's Music Box) around 1989. What clearly defines Moss's music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics, the music is always clearly a progression of the lineage of black music.

In the words of fellow Chicagoans The Art Ensemble Of Chicago, it is simply "great black music." And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit's sci-fi techno artists (Atkins, Saunderson, Craig) and more.

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