Jeremy And The Harlequins American Dreamer on LP
The opening song from Jeremy And The Harlequins' debut full-length, American Dreamer, sparkles and shimmers with the glamour of rock 'n' roll's past while simultaneously forging forward into the future with confidence. Channeling the influences of 1950s and '60s rock 'n' roll through the (cell phone) camera lens of 2015, Jeremy And The Harlequins – Jeremy Fury (vocals), Craig Bonich and Patrick Meyer (guitars), Stevie Fury (drums) and Bobby Ever (bass) – have managed to capture the sound of New York both in the here and now and the there and then. It's a record about love and loss, tragedy and romanticism, dreams and reality, as well as everything in between, and its ten songs are at once familiar and fresh, a new friend it feels like you've known for decades.
"In both the pop music world and the indie music world," explains Jeremy, "everything's very electronic and very produced-sounding. In the indie world, everything seems like it's long songs with no choruses and it doesn't feel to me like something I'll be singing along with in 20 years and going back to, and the pop world seems to have lost its human element. Music should make you feel something, and I don't get that from much music nowadays, so we wanted to strip things down again and get back to the essence of rock'n'roll and pop music."
That's precisely what American Dreamer does – from title to the artwork, the lyrics to the melodies and arrangements of these songs, everything has been created with the mythology of rock'n'roll in mind. Yet at the same, these are songs for the modern day, universal tales of living in a digital age but with analogue sensibilities.
"We don't just want it to sound like it's in a musical or something," says Jeremy. "It has to have its own edge and relevance to the time. Part of that, we consciously tried to do lyrically. Take a song like ‘Right Out Of Love' – it sounds almost like a clichéd love song, but it's actually about falling out of love. Or ‘Cam Girl', which uses technology in the lyrics to make it stand out. My hope is that in 50 or 100 years, if someone were to find it and listen to it, they'd be ‘Wait – it sounds like this, but it's referencing all these things came out years later.' I wanted to do something where I could have something new to say in music."
It all started when Stevie, Jeremy's brother, moved back to New York from Paris. They'd played music together before ("He was probably eight years old and I was ten," chuckles Jeremy), as had Jeremy and Craig, who had been working on new music together when they found their current sound. Suddenly, it all clicked, the members each sharing the same kind of vision for what they wanted to do. That chemistry is clearly visible onstage when they play live, but, unusually, you can also hear it within the grooves of the record.
True its title, American Dreamer is steeped in the reverie of nostalgia but also traverses the streets of today, merging the two until they blend into just one path, a road weaving through New York's avenues and streets and into the hearts and minds of a whole nation.