Lynyrd Skynyrd Last Of A Dyin' Breed on Import LP
Legendary rock band Lynyrd Skynyrd returns with a fiery slice of Southern-style guitar rock heaven in Last of a Dyin’ Breed, their newest release on Roadrunner/Loud & Proud Records. This is the kind of record guaranteed to feed the needs of the multi-generational Skynyrd Nation, and continue the renewed vigor the band exhibited with their last album, 2009’s God & Guns.
For the passionate, longtime fans of the band, this is Skynyrd at the top of their game, complete with instantly memorable songs, more hooks than a tackle box, and a blistering three-guitar attack at full power. From the raging guitars of the title track and the pounding, funky homage to local talent in “Home Grown” to the mind-blowing “Honey Hole,” Lynyrd Skynyrd sound like young bucks having one hell of a good time.
Having survived enough tragedy and just plain hard miles for 10 bands, Skynyrd is, remarkably at this stage of their career, on a roll. God & Guns debuted at #18 on the Billboard Top 200, giving the band their highest debut since 1977. Last Of A Dyin’ Breed re-ignites the in-studio alchemy the band found with Guns producer Bob Marlette, and the sound is traditional Skynyrd blended to perfection with the edge of immediacy. In short, it’s rock ‘n roll for the times.
Led by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlock (guitar), Skynyrd has recorded an album that continues to build on the legacy that began over 35 years ago in Jacksonville, Florida. Joining them in the studio and on the road are new bassist Johnny Colt (Black Crowes, Train), guitarist Mark “Sparky” Matejka, and keyboardist Peter Keys, who replaced Billy Powell on the God & Guns tour.
In a tragic tale oft-told, the Skynyrd story could have ended in a Mississippi swamp with the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band has lost vital players in Billy Powell, Ean Evans, Allen Collins, Leon Wilkeson and Hughie Thomasson, yet here they are again with a hard-rocking, stirring album that can sit proudly alongside any recording that bears the Skynyrd name. The breed may be nearing extinction but Skynyrd is very much alive and ready to throw down.
Van Zant, now in his 25th year standing where his brother once stood, agrees with Rossington about the making of Breed. “We worked with Bob Marlette again who’s a great guy we just love as a producer,” he says. “During the recording of the last album we were going through Billy and Ean passing away, and with this album we were able to laugh and joke a lot.”
Medlock says that after the hard touring behind God & Guns he and the other primary writers Van Zant and Rossington took their time writing the songs. But the actual recording came together quickly, aided by the band’s in-studio chemistry. “This time what we wanted to do was go back to doin’ stuff old school,” he says. “A lot of the album was done with all of us in the recording studio, playing all at one time, the way we used to do it when we’d go into the studio to make records.”
With a catalog of over 60 albums, sales beyond 30 million worldwide and their beloved classic American rock anthem “Sweet Home Alabama” having sold over two million ringtones, Rock & Roll Hall of Famers Lynyrd Skynyrd remains a cultural icon that appeals to multiple generations. But far from resting on their laurels, any illusions that this may be a band at anything less than the height of its powers are quickly lost with the distorted fury of the fiery guitar licks that open the album’s title track and further put to rest with the gritty triumphs that follow.
Those searching for traditional Skynyrd solos and fierce instrumental breaks will have plenty to love on Breed, with every song featuring ample fretwork from one, two or even all three guitarists. “We love to do the harmonies and stuff with lead guitars,” says Medlock. “That’s a Skynyrd staple, and we embellished on it quite a bit this time around. We wanted to make a guitar driven record and have the vocals sit really good in the saddle there with all the guitars, just have it more rockin’ and a lot more powerful.” Mission accomplished, with plenty of fireworks and rock-solid rhythms from all players.
They’ve got a good thing going in terms of material, too. The primary Skynyrd writing team of Rossington, Medlock and Van Zant worked with some of their favorite songwriters to pen the songs that populate Breed, including Tom Hambridge, Blair Daly, John 5, Donnie Van Zant, and Marlette, along with contributions from the band's Matejka, as well as Marlon Young, Audley Freed, Shaun Morgan from Seether, Cadillac Black’s Jaren Johnston, and label mates Black Stone Cherry’s Chris Robertson and Jon Lawhon. The blend of writers from within and outside the band concocts a hard-hitting cadre of songs that fit perfectly into the Skynyrd canon. These songs are of the 100-proof variety.
Not as overtly political as its predecessor God & Guns, Breed focuses more on the struggles of the working class, though the band make their thoughts on the direction of this country crystal clear on songs like the reverb-drenched “Poor Man’s Dream” and the blue-collar powerhouse “One Day at a Time.” The band is tuned in to the tough times many Americans are going through, and they sing songs that might well help on that journey, or at least help let off some steam.
Lynyrd Skynyrd Last Of A Dyin' Breed Track Listing:
1. Last Of A Dyin' Breed
2. One Day At A Time
4. Ready To Fly
5. Mississippi Blood
6. Good Teacher
7. Something To Live For
8. Life's Twisted
9. Nothing Comes Easy
10. Honey Hole
11. Start Livin' Life Again