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Natalie Maines - Mother

(180g Vinyl LP + CD)

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Item: LDM1218
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2013 Solo Debut from Dixie Chicks Frontwoman!

On Natalie Maines' 2013 solo debut, Mother, the Dixie Chicks frontwoman goes in some new directions. Heavily influenced by the more rock-based, edgy and intense sound of title track, and Pink Floyd cover, "Mother," Maines teamed up with friend and Grammy-winning singer, songwriter, and guitar wizard Ben Harper, who co-produced the record with Maines in his studio. "I wanted this music to be very different from the Dixie Chicks," she says. "Lots of albums by lead singers might just as well have been made by the band, but I think this is very different from anything the Chicks could make. That separation and distinction was important."

The 10-songs on Mother reveal different sides of one of the most acclaimed voices of our time. One of the initial songs they tackled was the soaring, tortured ballad from Pink Floyd's The Wall that ultimately gave the LP its title. The result is a cover, which NPR's Ann Powers described as "a tender acknowledgment of how fear can entrap all of us, even when we want to do nothing but love." "Mother" was initially released on West of Memphis: Voices for Justice, the soundtrack to the documentary West of Memphis, a film which chronicles the story of the three wrongly-imprisoned Arkansas teenagers known as the West Memphis Three. The song "Free Life" is also included on the album because of its connection to the case; Natalie performed the song at a rally when the young men were still in prison, and it became a favorite of the wife of Damien Echols, one of the WM3. "Free Life" was written by Dixie Chicks collaborator and Grammy-Award winner Dan Wilson.

As different as this new music is from her Dixie Chicks roots, the songwriting credits on "Come Cryin' to Me" reveal that even her fellow Dixie Chicks Martie Maguire and Emily Robison still kept a hand in the new project. "That was a song we decided was too rock for Taking the Long Way," Maines explains, "but it really felt right to have a piece of them on here." All of the album's 10 songs were selected because of personal connections to Natalie. Jeff Buckley's "Lover You Should Have Come Over" was a reminder for Maines of the early days of a relationship. She discovered "Without You" on her friend Eddie Vedder's ukulele album and heard a groove that she thought might fit.

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