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Pissed Jeans - Why Love Now

(Vinyl LP)

23Reward Points
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Item: LDP19015

Pissed Jeans have been making gnarly noise for 13 years, and on their fifth album, Why Love Now, the male-fronted quartet is taking aim at the mundane discomforts of modern life – from fetish webcams to office-supply deliveries. Pissed Jeans' gutter-scraped amalgamation of sludge, punk, noise, and bracing wit make the band – frontman Matt Korvette, Brad Fry (guitar), Randy Huth (bass) and Sean McGuinness (drums) – a release valve for a world where absurdity seems in a constant battle trying to outdo itself. Why Love Now picks at the bursting seams that are barely holding 21st-century life together.

Take the grinding rave-up "The Bar Is Low," which, according to Korvette, is "about how every guy seems to be revealing themselves as a shithead." 
The lyrics on Why Love Now are particularly pointed about gender relations and the minefield they present in 2016. "'It's Your Knees' is about the endless, unrequested, commenting on if you'd fuck a girl," Korvette explains. On "Love Without Emotion" Korvette channels Nick Cave's guttural side while bemoaning his detachment over cavernous guitars. "Ignorecam" twists the idea of fetish cam shows into a showcase for Korvette's rancid yelp and his bandmates' pummeling rock. As they did on their last album, 2013's Honeys, Pissed Jeans offer a couple of "fuck that shit type songs" about the working world. And the startling "I'm A Man," which comes at the album's midpoint, finds author Lindsay Hunter (Ugly Girls) taking center stage, delivering a self-penned monologue of W.B. Mason-inspired erotica.

No Wave legend Lydia Lunch shacked up in Philadelphia to produce Why Love Now alongside local metal legend Arthur Rizk (Eternal Champion, Goat Semen). The combination of Lunch's spiritual guidance and Rizk's technical prowess supercharged Pissed Jeans, and the bracing Why Love Now documents them at their grimy, grinning best. While its references may be very early-21st-century, its willingness to state its case cement it as an album in line with punk's tradition of turning norms on their heads and shaking them loose.

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