Polica United Crushers on LP + Download
If the opening moments of Polica's new album, United Crushers, leave you feeling unsettled, then Channy Leaneagh has done her job. With her voice pitch-shifted down into an ominous, nearly unrecognizable register, she sings of a post-industrial urban landscape littered with broken promises, a land of poverty and violence that's been rigged against us from the start. Despite all that, though, there is an element of defiance, a refusal to surrender in her delivery of the lyrics.
Halfway through that first track, "Summer Please," when her gorgeous true singing voice enters on top of the deep and disturbing baritone, there is a moment of hope and transcendence, and it's the key to unlocking United Crushers, Polica 's third full-length release and most ambitious album to date. Even at its darkest, the record is musically the band's most upbeat and celebratory. It is a weapon meant to empower the weak, the forgotten, and the disenfranchised; it's very creation an act of rebellion in the face of the such forces as repression, social injustice, and one's own self-doubt and isolation.
United Crushers was born out of the longest break from touring in Polica's history. The group originally emerged from Minneapolis in 2011 when Ryan Olson, Gayng leader, producer and Minneapolis' master of curation, began collaborating with Leaneagh on a batch of synthesizer and percussion-heavy arrangements he had lying around. The resulting debut, 2012's Give You The Ghost, immediately garnered international acclaim and its success brought with it a heavy touring schedule and an itch to keep creating. Taking just a few months off from the road, the band ventured into the studio and emerged with their follow-up, Shulamith, in the fall of 2013.
Following the whirlwind of it all, they returned home to Minneapolis for a much-needed break, to live life off the road for the first time in two years and build up inspiration for the next go-around. The winter of 2015 was spent writing together, in the same room. This was a new and welcome approach compared to how the first two Polica albums came to be, with each member contributing equally to the songs' creation. As the snow began to melt in Minnesota, they journeyed to quite the opposite landscape in El Paso, TX, where they holed themselves up in the desert at the renowned Sonic Ranch Studios just a few short miles from the United States/Mexico border.
There, they applied the same collaborative approach they took in the writing of United Crushers to the recording of it – together, in the same room. The result is an evolved sound, more live, bigger, crisper and with more of a hi-fi punch. There's a tighter groove to these songs and a more vulnerable quality to them, especially in Leaneagh's singing. Her impressive vocal range is consistently on display throughout, beautifully raw and less electronically effected than on previous recordings.
The terror of “Summer Please” is filtered through the eyes of mothers warning their children as they head out into the violent streets, while “Wedding” was written in reaction to the intertwined epidemics of police brutality and institutional racism, and “Melting Block” starts its story off with an “everyone’s-a-sheep-in-wolf’s-clothing”-type mantra and evolves into a giant middle finger pointed at the societal effects of commercialism.
As political as the statements on the record are, United Crushers is also a deeply personal album. Leaneagh reminds herself to stand firm in the face of self-doubt and manipulation on "Lime Habit," overcomes music industry machinations with triumphant horns on "Baby Sucks," and recognizes important truths of independence on "Lose You." Stringing the songs together is a thematic thread of isolation: the fear of being alone, the instinct to hide our true selves for protection, the way in which lovers can each retreat inwards.
Throughout it all, though, there always remains a sense of defiance and celebration in the music to counter those apprehensions and anxieties. Leaneagh suspects it may have its roots in her early days as a folk singer. There is a darkness to United Crushers, but it doesn't win. Dreams may be dashed and promises may be broken, the world may be full of disappointment and pain and violence, but if you're in the midst of it all feeling lost and hopeless on the streets of Minneapolis, all you have to do is look up.