Randall Bramblett Devil Music on Limited Edition 180g LP + Download
Randall Bramblett’s distinguished body of work is defined by a triple threat career as an acclaimed solo artist, an in-demand songwriter and a first call sideman. Among the artists who’ve recorded and performed Bramblett’s songs are Bettye LaVette, Hot Tuna, Delbert McClinton and most notably, Bonnie Raitt, who opened her 2014 Grammy winner, Slipstream, with one of his songs. In the ’70s he was a member of the seminal jazz/rock group Sea Level and as a sideman has toured with Gregg Allman, Widespread Panic and Levon Helm. Steve Winwood was such a fan of Bramblett’s keyboard, sax and vocal performances that he made Bramblett his go-to tour mate for 16 years, including the ’94 Traffic reunion.
But it’s Bramblett’s own career as frontman where his artistry is in full display. His latest New West release, the dark, Southern, soul-drenched Devil Music, is his sixth for the label and the tenth of his career. Like his others, it features compelling, unusually arranged melodies coupled with thoughtful, deftly worded lyrics. The new recording features guitarist Derek Trucks whose dirtied-up slide counterpoints Bramblett’s falsetto in “Angel Child,” and keyboardist and fellow Sea Level alum, Chuck Leavell, who adds serious boogie to the witty “Reptile Pilot.” The guitar master, Mark Knopfler also makes a guest appearance and adds significantly on “Dead in the Water” - a swampy gem which definitely belongs on the soundtrack to an HBO series.
“When I wrote ‘Devil Music’ about Howlin’ Wolf’s meeting with his estranged mother, I knew I had the feel and the heart of the record. Songs like ‘Dead in the Water,’ ‘Whiskey Headed Woman’ and “Bottom of the Ocean” all sprang from the tug-of-war between blues and religion, salvation and damnation,” says Bramblett. “The overdriven vocal sound we used helped bring home the pain and defiance we wanted on these songs. The way I’m singing is more intense. The songs have this fundamental power that I just needed to express.”
In many songs, he says, “lost characters” abound. Some appear in the album opener and title track, while the aforementioned “Dead in the Water” was inspired by William S. Burroughs and his speed-freak wife (“scrubbin’ the floor with a toothbrush/but she just can’t get it clean”). “It’s a picture of being stuck, whether it’s addiction or crime,” Bramblett explains. “There’s no resolution; you’re just dead in the water.”
The protagonist in “Angel Child” comically tries to lure a lover into the seedy web of his broken down life while the character in “Bottom of the Ocean” dreams of escape. These songs gain further impact from their construction and many are built around a single chord. “Several of them are basically field songs where you’re coming down on the one like you’re chopping stuff, and you just stay there,” continues Bramblett. “The rest of the interest comes out of the ambient sounds, the lyrics and the inspiration of the players. The effect is trancelike; it pulls you in.”
Michael Rhodes who has played on most of Randall’s solo work helped arrange a series of sessions in Nashville at Sound Stage Studios with Chuck Ainlay, Ed Cherney, Elliot Scheiner, Frank Filopetti and George Massenburg. “It was a fabulous experience working with these guys and they couldn’t have been more fun and supportive. My long time band mates, Davis Causey, Nick Johnson, Michael Steele and Gerry Hansen all came up from Athens to make this record,” recounts Bramblett. “We turned the place into a juke joint! Seth Hendershot, Tom Ryan and Kevin Hyde joined us to finish up overdubs at Gerry’s studio in Lawrenceville, Georgia.”
“I’m pullin’ from a deep well on this album,” Bramblett concludes. “It’s my experience of black and white culture in the south, and how it feels to grow up here with all the religion and pain and conflict and joy—and then there’s all that dancing…”