"Flat Baroque and Berserk was the first record of mine to go into the charts. For the first time in my recording career, proper care and attention was paid to the presentation of the song. Peter Jenner was assigned by EMI Records to produce the recording. Peter and I got on really well and he was a better overseer of my work than anyone I have been involved with before or since. I had also had a Studio upgrade. EMI Studios, Abbey Road was at that time the most advanced studio in Europe, and over the next ten years I was to record in near-perfect conditions.
"Over those years, the studio buzzed with four separate Beatles, some Stones, The Pink Floyd, Cliff and the Shadows, Gracie Fields, three of four musical knights, Kate Bush, Olivier Newton-John, The Hollies, Yehudi Menuin, Stefan Grapelli, The Plastic Ono Band, Eric Clapton; you name them, they were all there. Jimmy Page and I were in there three or four times together. It was a creative hotbed where the technical staff, headed by Ken Townsend, were second to none.
"Meanwhile, back at the ranch, I was very pleased with my first record made in such elevated surroundings. The song that I was best known for in those days, 'I Hate the White Man,' was recorded live for this album, and still stands as a testament to my lifelong devotion to espousing equal rights for all humans. I have long since wondered about the wisdom of stating that you have the capacity to hate your own race for it's misdemeanours, but as a polemic it has been both an effective tool and somewhere of a place for a humble humanitarian to stand. 'Another Day' is probably one of the best love songs I ever wrote, and much of the rest of the record is on a gentler level, although 'Hells Angels,' recorded with 'The Nice,' is raw and was very eventful." - Roy Harper
This year marks two important milestones for Roy Harper – his 75th birthday and 50 years of recording music. To celebrate, Roy will be performing four special concerts in September and releasing the first vinyl reissues of his classic albums, none of which have been available on the format for well over 20 years.
• Remastered and reissued on 180g vinyl
• Recorded at Abbey Road Studio and originally released in 1970
• Produced by Peter Jenner
• Original artwork with additional printed heavy inner sleeve including lyrics and extra notes
• Packaged in deluxe gatefold sleeve