Soul Jazz Records Presents: Delta Swamp Rock Volume Two - Various Artists on Import 2LP
Sounds from the South: At The Crossroads of Rock, Country & Soul!
Delta Swamp Rock Volume Two is an interstate southern road-trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s. At the start of the 1970s, a new type of music emerged out of the southern states of AL, TN, GA, MS and FL. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south – a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.
The Allman Brothers and Lynyrd Skynyrd epitomized the definitive southern rock groups – a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement's rise and fall. The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, TN, and the small town of Muscle Shoals (population around 10,000) deep within the bible-belt, liquor-free, deeply segregated state of AL, creating 100s of R&B hits on an almost daily basis. Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song "Sweet Home Alabama" as the Swampers), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s.
Delta Swamp Rock Volume Two charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first-half of the 1970s, including its influence on Nashville's ‘outlaw' country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.