In the two and a half years since the release of their last album, Brisbane's The Trouble with Templeton have, says frontman Thomas Calder, been busy "breaking down and reassembling what it means to make music for us." On the evidence of the richly confident and clear-sighted Someday, Buddy, that time was well spent.
After the indie-folk restraint of Calder's 2011 solo mini-album Bleeders, TTWT served evidence of tremendous range and ambition on their debut album as a band, 2014's Rookie. Someday, Buddy goes a step further, harnessing that reach to a leaner, tighter take on TWTT's melodic alt-rock punch. As Calder puts it, "We made a conscious decision to challenge ourselves to focus on minimal instrumentation and production in the recording process in an effort to place more emphasis on the song-writing."
The full-bodied songs here can take the emphasis, no trouble. TTWT weren't slouching on Rookie, where Calder and company wedded vibrant melodies and multifarious alt-rock flavors – epic, jangly, glam – to a core of emotive cogency. But on Someday, Buddy, their personality emerges sharper and clearer. "Our goal was to make a record that is raw, bare and honest," says Calder, a claim borne out by the incisive lyrics of the swelling "Sailor" and lilting "Heavy Trouble," where his falsetto dances over a tender indie-folk backdrop.
Sometimes fragile, sometimes forceful, Calder's voice remains a marvel on lead track "Bad Mistake," a combination of intricate verses and a huge chorus pitched somewhere between Pavement and Elliott Smith. And so the album goes, its recipe one of slow-burn songs harboring great reserves of potency: the discreet neo-glam swagger of "Complex Lips," the sunburst chorus of "Vernon," the gorgeous ripples of album highlight "1832."