Drummer/Producer/Beat Scientist Makaya McCraven Puts a Modern Bounce on Blue Note Classics!
With his new remix album, Deciphering The Message, the Chicago-based drummer, producer, and beat scientist Makaya McCraven digs through the vaults of the legendary jazz label Blue Note Records to put a modern bounce on classics by Art Blakey, Horace Silver, Hank Mobley, Kenny Burrell, and Eddie Gale, among others. McCraven has always been a collaborative artist and Deciphering The Message features newly recorded elements from vibraphonist Joel Ross, trumpeter Marquis Hill, alto saxophonist Greg Ward, guitarists Matt Gold and Jeff Parker, bassist Junius Paul, and De'Sean Jones on tenor saxophone and flute. In that way, Deciphering The Message connects the past and present, proving that musicians become legends by trekking the same roads with like-minded creators all moving toward the same goal.
That throughline is evident on the lead single in which Jack Wilson's hard bop cut "Frank's Tune" – from the pianist's little-known 1967 album Easterly Winds – is remade into "De'Jeff's Tune," an ‘80s R&B-inspired arrangement with a two-stepping dance groove, wafting guitar chords courtesy of Parker, and delicate flute from Jones. The track opens and closes with the voice of Blue Note legend Art Blakey, the irrepressible bandleader of The Jazz Messengers, addressing his audience: "We want you to leave your worldly troubles outside and come in here and swing... So as the message is being delivered, ladies and gentlemen, you may pat your feet and have a ball."
While Deciphering The Message collects songs from several years of Blue Note history, it plays like a continuous set taking place in one show at one venue. "When piecing everything together, I wanted to create a narrative that made the listener feel like they were falling into this space or a movement," McCraven says. "I was really trying to make a record out of it, not just a series of tracks." McCraven hopes the album is both educational and an outright good listen. "I always want to make music that will connect with people in one way, where it makes them nod or feel something or transport them somewhere," he says. "I also hope this makes them check out the source of this music if they have it. The music that we're making now is part of the same route and is connected, so I want to honor tradition and release something that people can vibe to."
- A Slice Of The Top (AKA "Sliced Off The Top") [from A Slice Of The Top by Hank Mobley]
- Sunset (AKA "Son Set") [from Whistle Stop by Kenny Dorham]
- When Your Lover Has Gone (AKA "When You've Left Your Lover") [from A Night In Tunisia by Art Blakey & The Jazz Messengers]
- Ecaroh (AKA "Revlis") [from Horace Silver Trio by Horace Silver]
- Tranquillity (AKA "Corner Of The World") [from Components by Bobby Hutcherson]
- Wail Bait (AKA "Wait Bail") [from The Memorial Album by Clifford Brown]
- Coppin' The Haven (AKA "At The Haven Coppin'") [from One Flight Up by Dexter Gordon]
- Frank's Tune (AKA "De'Jeff's Tune") [from Easterly Winds by Jack Wilson]
- Autumn In New York (AKA "Spring In Chicago") [from Blue Lights, Vol.1 by Kenny Burrell]
- Monaco (AKA "Monte Negro") [from ‘Round About Midnight At The Cafe Bohemia by Kenny Dorham]
- Mr. Jin (AKA "Mr. Gin") [from Indestructible by Art Blakey & The Jazz Messengers]
- C.F.D. (AKA "D.F.C.") [from Something Personal by Jack Wilson]
- Black Rhythm Happening [from Black Rhythm Happening by Eddie Gale]