Vagabon's sophomore album, All The Women In Me follows-up her breakout debut, Infinite Worlds, and is an artistic leap for Lætitia Tamko, who wrote and produced the entire album. Guitar-driven melodies are largely absent, replaced by hybridized analog and digital arrangements. While Infinite Worlds situated the last Vagabon project in the realm of "indie rock," All The Women In Me is not easily defined. Grounded by Tamko's expressive voice and knack for unique melodies, the album flits between genres, never lingering too long on one particular sensibility.

Lead single "Flood Hands" exemplifies this growth; the production ebbs like a gentle tide before a cavernous drumbeat kicks in and the tone shifts completely. "'Flood Hands' is a track I originally produced and arranged for a well-known pop-duo to have on their album," Tamko says. "Knowing I was writing this song for musicians I admire, allowed me this relief from my writer's block. I used this assignment as a chance to flex my production muscles and write something I wouldn't have written as a 'Vagabon' song a couple years ago. The result felt like a triumph for me in my progression as an artist and I just couldn't stand to part with the song by the time I was finished."