Earth x Black Noi$e Geometry of Murder: Extra Capsular Extraction Inversions

Earth x Black Noi$e Geometry of Murder: Extra Capsular Extraction Inversions on Colored 2LP: A Collaboration Between Dylan Carlson (Earth) and Black Noi$e (Armand Hammer, Danny Brown, Earl Sweatshirt)

Color of Vinyl Subject to Change Without Notice / Call to Confirm Colored Copies Are Still Available

New “Inversions” of drone rock pioneers Earth’s debut release. A collaboration between Dylan Carlson and Black Noi$e (Armand Hammer, Danny Brown, Earl Sweatshirt) formed in mutual respect and appreciation for one another. Both artists were intrigued by the creation of vast musical landscapes and the connection of music, with its ability to transport the listener. The music of Earth was recognized and celebrated for moving at a glacial pace and yet this new collaboration surprisingly saw Black Noi$e slowing things down even further.

The debut, which originally came out in 1991, notably featured Kelly Canary and Kurt Cobain on vocals on the tracks “A Bureaucratic Desire for Revenge Part 2” and “Divine and Bright”. Black Noi$e reimagines the original recordings with his experimental sensibility and innovative multi-instrumental, cross genre exploration. Applying contemporary electronics to the heavy droning bass and guitars and languid rhythms, this inversion oscillates and reverberates with a different kind of energy whilst simultaneously highlighting the much loved low slow and distorted properties of the original.

Extra Capsular Extraction was the first music Dylan made with Earth and his first time in a recording studio, which he recalls at the time as being “terribly exciting.” It also marked the first time collaborating with others and seeing it reified into a tangible object or product, a spirit that Dylan has carried through to the present. The original album is a document of a specific period and Dylan’s creative development. These inversions of Extra Capsular Extraction are, to quote Dylan, “an exciting way to reintegrate them into the present time and with my more expanded conceptions of musical endeavors.”