Wes Montgomery Trio A Dynamic New Sound: Guitar/Organ/Drums: Fantasy 45

The Wes Montgomery Trio A Dynamic New Sound: Guitar/Organ/Drums on 180g 45RPM 2LP from Analogue Productions: Part of the Fantasy 45 Series, Mastered by Kevin Gray and Steve Hoffman at Acoustech Mastering from the Original Master Tape, Pressed at QRP

The Wes Montgomery Trio - A Dynamic New Sound: Guitar/Organ/Drums, was the album that said: "Hello world, Wes has arrived — and he brought friends!"

Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records — and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.

So, what's the deal with this album? It's right there in the subtitle: Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender — never flashy, but always exactly what you need.

This was a bold move: no bass, no piano, just pure stripped-down swing — and it worked. Why? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.

Jazz fans didn't just nod politely — they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut — it was a statement. And it sold, helping launch Wes into the jazz stratosphere.

This reissue is mastered for by Kevin Gray and Steve Hoffman at Acoustech Mastering, cut at 45RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on gatefold jacket with scuff-resistant matte finish.

Features:

• 180g Vinyl
• 45RPM
• 2LP
• Mastering by Kevin Gray & Steve Hoffman at Acoustech Mastering
• Pressed at Quality Record Pressings
• Stoughton Printing Tip-On Gatefold Jacket with Scuff-Resistant Matte Finish