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Steeped in the same detail-rich storytelling of Bruce Springsteen, The Menzingers and Manchester Orchestra and filtered through the band's sweat-soaked punk fervor, the songs on Spanish Love Songs' third album, Brave Faces Everyone represent the situations Dylan Slocum and his bandmates – guitarist Kyle McAulay, bassist Trevor Dietrich, drummer Ruben Duarte and keyboardist Meredith Van Woert – experienced during 30-some weeks of rigorous touring during the Schmaltz album cycle.

These are character stories set in small-town America and anxious urban jungles alike, unfurling heartbreaking tales of addiction, depression, debt and death juxtaposed alongside looming societal bogeys like mass shootings, the opioid epidemic and climate change. They're all at once personal vignettes and universal truths of life in the 2010s, the lines blurred between Slocum's own experiences and those of his friends and acquaintances. Because, as he sings in "Beachfront Property," "Every city's the same/Doom and gloom under different names." These are the things that affect us all.

But for all its emotional heft, Slocum doesn't see Brave Faces Everyone as a pessimistic album. Rather, the album – produced by McAulay at Howard Benson's West Valley Recording – seeks to find balance between realism and optimism. It implores us to harbor less judgment and more empathy, to talk less and listen more. To understand that life never goes off the rails all at once. Rather, it's a years-long series full of seemingly imperceptible events that snowball into life-altering issues like heroin addiction, mental illness or suicide. But just as things didn't break overnight, happiness and redemption aren't as simple as a flip of the switch. It's a day-by-day, step-by-step climb we have to work to attain.

Ultimately, Brave Faces Everyone boldly declares that even though things might be bad, they're not hopeless. On the appropriately named "Optimism," Slocum sings, "Help me weather this high tide/But don't take me out back and shoot me," while the album-closing title track bears the album's central thesis: "We were never broken/Life's just very long." Spanish Love Songs are trying to break through that pessimism however they can. Sometimes that's as simple as a hopeful lyric or soaring chorus to cut the tension in an otherwise weighty song, a brief respite that gives listeners a comforting melody to rally around. "If you sing something loud enough and long enough," Slocum muses, "hopefully people are able to find some peace in that."

Experimenting with more traditional song structures and fewer forwardly caustic moments this time around haven't dulled the band's sound. If anything, they've accentuated the most important parts of it. When everything is loud and urgent, nothing is. But when Slocum's voice swells to a roar on a song like "Generation Loss," the undeniable power grabs you by the collar and forces you to pay attention – and that's the difference between simply being heard and truly being understood.