Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music. Throughout the changing eras of the band, they enlisted the talents of different powerful singers like Malcom Mooney and Damo Suzuki and collaborators such as Reebob Kwaku and Rosko Gee. Can’s influence has never diminished, and their indelible mark is apparent in subsequent acts who freely acknowledge their importance – from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West and Radiohead.

 

1971 Krautrock classic Tago Mago, the group's third album and first album with Damo Suzuki on vocals, features a Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards. Of all the band’s oeuvre, the unclassifiable Tago Mago has been most often cited as an influence for a host of artists including John Lydon, The Fall, Ariel Pink, Fuck Buttons, Sonic Youth, Factory Floor and Queens Of The Stone Age.

 

"It’s a fool’s errand to try to describe the styles and genres that Can touch on here; suffice to say that if there were an HMV category called Shockingly Beautiful And Pulsatingly Thunderous Space-Jazz-Concrète, Tago Mago would be at the front of the racks every time. Invoking and evoking just about all the spontaneity and scariness that you’d want from rock’n’roll, Tago Mago can offer experiences as spellbinding as the sequence that originally comprised side one (“Paperhouse”, “Mushroom”, “Oh Yeah”), or can be so extreme that you feel yourself under attack by maniacs." - David Cavanagh, Uncut 

 

"A landmark release in the history of rock ‘n’ roll.” – MOJO